BERLIN SERIES 2021

OFFICIAL SELECTION
SUBMIT NOW

Rules & Regulations: FILMFREEWAY

 

 

 


 

 

The access to BERLIN SERIES FESTIVAL Screenings is prohibited for people under twelve, unless it´s a Kids & Youth screening and specified as such! There will also be Virtual Premieres.

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OFFICIAL JURY 2020

Nick Vallelonga

JURY MEMBER

 Writer, Actor, Producer

("Green Book”)
 

Annette Hess

JURY MEMBER

Showrunner, Writer

(Ku'damm 56 & 59, Weissensee)

Cynthia Khalifeh

JURY MEMBER

Actress, Producer

(Paparazzi, Abriaa Wa Laken: Innocent... However)

Florence Faivre

JURY MEMBER

Actress

("The Expanse”)
 

Johannes Betz

JURY MEMBER

 Writer

(Das Boot)

Birgit Fuß

JURY MEMBER

Redakteurin/Editor

(Rolling Stone)

"This was my first year working with the Berlin TV Series Festival.  It was an honor to be asked to be a part of it.  It was a fantastic experience.  This Festival opened me up to brilliant producers, writers, directors and actors that I did not know about, to TV Series that I might not have ever got a chance to see.  The hard part about judging was that all the participants were so good, it was so difficult to choose winners in categories, I wanted to choose them all.  Which is a great testament to the caliber of participants in this festival, truly the best talent in the world were competing.  It also shows how important this festival is, showcasing these amazing programs and giving them more exposure, which they all deserve. Congrats to everyone involved, and I thank the Festival for having me be a part of it."  - Nick Vallelonga, Chair 2020 - Two time Golden Globe and Two time Academy Award winner for Green Book

Studio Tarara (Winner BEST SERIES 2019) : a leap into the wild 90s behind the scenes of a fictional, successful sketch comedy. But it doesn‘t stop with sex, drugs and rock & roll in nostalgic decorations. We are quickly captivated by the main character, the tragic television star Rick Bolsens. Crashed, soon replaced by a successful colleague, he tries to gain recognition and a new love. The secret of the tragic death of an Enseble member hovers over everything. An intense drama with strong characters."- Nataly Kudiabor  (UFA) - Jury 2019

"We all love murder mysteries. While the genre has its rules and conventions, we really appreciate it when the creators bring us intriguing new characters, a compelling dilemma and a fresh location. However, no matter how much you stir or shake the formula, you aren’t going to reinvent it. Unless you are the creators of Studio Tarara, which tosses all those rules and conventions out the door and brings us something so fresh and original that we very quickly come to believe that this is the way mysteries have always been told - from inside out. The writing and direction is brave and honest; the production design, cinematography, hair, wardrobe, makeup, sound - every creative craft - drops us gently into a time and world that many of us wouldn’t know but, having found, don’t want to leave - and the acting is so superior that we might think these characters were just captured on security cameras. Studio Tarara is great drama, mystery and powerful social commentary. We applaud not just the creators and artists behind the show, but the broadcasters who were brave enough to allow them to produce something really unique." - Paul Haggis (Crash, Million Dollar baby) -  Jury President (2019)

ELIGIBILITY (to be eligible for consideration):
1. You must fully comply with these Entry Rules & Regulations, including all deadlines, episode duration, entry material and other requirements.  
2. Non-English language works must have English subtitles at the time of submission (except for series in the German language). Dialogue lists will not be accepted.
3. The series must have a minimum of a “German Premiere status”.  
4. All series must have been produced in 2020.  
5. For series that have already premiered in the Country of Origin, to be eligible for the Official-Competition, the premiere date must have been after December 1st  2020
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EPISODE DURATION: 
Drama Series / Comedy Series / Docu Series - 25min - 60min  | Shorts Films -  5min - 35min.

SUBMISSION CATEGORIES

In Competition

DRAMA, COMEDY & DOCU SERIES

BERLIN  SERIES discovers, highlights and celebrates the latest episodic work, new long form pilots/series of the global  TV landscape. The are part of the BERLIN SERIES Official Selection of the BERLIN SERIES FESTIVAL and run in Competition for the BERLIN SERIES Award.

Official Competition World Premieres section: the series must not have been screened in any international festival nor have been broadcast in their country of origin before June 2nd 2021. Exceptions for local previews or market screenings in festivals in the country of origin and certain Partner Festivals may be considered.  
 

All submitted series must consist of episodes intended to be at least 25 minutes in length. The festival will screen the first 2 episodes for series that exceed 40 minutes of length per episode, including credits. For series that run under 40 minutes, including credits, the festival will screen the first 3 episodes. Not longer than 1 hour, including credits.

VIRTUAL PREMIERES

DRAMA, COMEDY,  DOCU SERIES & SHORTS

The Virtual Premiere Section is there to feature all Series & Short Films looking to maek their online premiere.

More Details to the platform soon.

SHORT FILMS

A platform for independent filmmaking, creative expression and immersive entertainment, BERLIN SERIES supports emerging and is establishing the norm, more diversity, more female voices.

We are curating innovative and interactive experiences, oragnizing post-screening performances, panels, and Pitch-Forum. Short films invited to participate in BERLINSERIES21 will be shown in the section determined most appropriate by Festival programmers, in their sole discretion. If you are submitting a student film, please submit via our FILMFREEWAY to get the discounted submissions fee. You will need a copy of your student ID to qualify.

 

ELIGIBLE PROJECTS
Short-length (under 35 minutes) narrative, documentary, animated and experimental films that have not screened publicly in the Berlin/Brandenburg region prior to BERLINSERIES21. Submitted Shorts cannot have had ANY public screening, broadcast, distribution, or exhibition before March 20, 2021in any country out of the origin country. All submitted shorts must not to be longer than 35 minutes in length. The festival will screen the short film including credits.  We accept shorts across all genres, from annimation, docu-short to fiction. The rule of our diversity standard in that section applies: At least one actor/actress from an underrepresented racial or ethnic group must be cast in a significant role. At least one person of the general ensemble cast must be from underrepresented groups (women, racial, ethnic, LGBTQ+, or people with disabilities). At least one person of the other departmetns behind the camera must be from underrepresented groups (women, racial, ethnic, LGBTQ+, or people with disabilities). Please provide us with name and photos.

Writing your TV SHOW

Peter Russell Webinar

March 26-27

Limited spots for this class. You can write us through webinar@tvseriesfestival.com and we are getting back to you in 24 hours or enroll here.

Berlin Series Support

 

▶ Peter Russell & Suzy Bell Webinar March 26-27

REGISTRATION

Register for the Webinar 

Price €290,- (+ 19% VAT)

PAYMENT OPTIONS

Pay by Wire Transfer or  Pay via PayPal

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The absolute best at helping anyone understand how great stories work. I’ve learned so much about story from this man.” Tyler Perry, 2019

"Peter's not only a genius at teaching story, he's also taught me deep, psychological tips on deepening character, which I find makes the difference between a formulaic script and a sellable script." Hal Ozsan (Sons of Anarchy, What Would Diplo Do?, Black List)

"Peter's development class is a big reason for my success at Mr. Robot. The guy is a flat-out brilliant teacher of story form."  Kor Adana, Writer , 2020

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Day 1: The Eight Critical Tools Of Writing Great TV &
The Secrets of the Hour Long TV Form

 

  • The Most Critical Elements of All TV Story - Finding Your Hero's Super talent, Core Wounds, Unsolvable Dilemmas, and more.

  • Finding Your Story's Originality and Excitement - Bending All the Rules, Or Even Breaking Them, and STEALING Stuff, too (includes Q&A)

  • Structure and Secrets of Hour-Long TV Creating the Great Pilot - Finding Your Story's BMMOC Question.

  • What I've Learned Selling TV Pilots in 2020


Day 2: The Secrets of the Half Hour & Limited (Mini) Series: 

  • The Secrets of the Half Hour TV Story - Creating the Great Pilot

  • The Secrets of the Limited (Mini) Series

  • Creating Pitch Decks & Show Bibles That Sell Your Series

  • Creating your TV Loglines - plus Q&A about YOUR Story

ABOUT PETER RUSSELL

Peter Russell started as a story analyst in the 1990s, and has read over 3,000+ screenplays for major film and television giants including Imagine Entertainment, Participant Productions, HBO, CBS, Walden Entertainment. He consulted on many current TV shows, including GENIUS (National Geographic series 2017-present) MR. ROBOT (Emmy for Best New Television Drama 2015), Chronicles Of Narnia (Lion, Witch & Wardrobe), The Da Vinci Code (Imagine Films) and many others. Clients include Hal Ozsan (Black List, Sons of Anarchy, What

Would Diplo Do?), Peter Cillela (Resolution, The Endlass, Occupant), Tate Hanyok (The Office, Community, Transparent, Shameless) and many more.

 

As he read these scripts, he started seeing deep, hidden patterns in the best stories. He wrote these down and started getting jobs FIXING writer’s stories. Peter Russell was invited to teach at UCLA in 2004, and it became a passion, too.  He was UCLA’s Teacher of the Year in 2009. 

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